And I’m happy in my mind

The day after the first performance, I give a different reply to the same material. I enter the room as the audience is already inside, and get in touch with the elements on the table. By moving them, I define a rhythm and visual compositions, which I then dismount piece to piece, by placing the objects on the floor. As an abstract - analytical answer to the same material which defined the previous performance, the piece explores the limits of the material itself and its value as both narrative and silent. Installing a deep visual, auditory, and tactile connection with the pieces, charges their energy and enables them to stand alone and spread out in the space, not anymore sustained by their concentration in one corner. The strong, bodily action of moving the table states the subverting of the surfaces. The support surface is now the short, six centimetres side of the table, where a hand - turned column, and a hand carved horn are placed. Then I leave the room, as the audience is still inside.