May the Heavens prove your guide

I performed in the same corner where I worked for four months. Beside a column, next to a red table where wooden elements stand, I sit and interact with my puppet. The audience is let into the room and observe an action which has already started before they could know, and regardless of their presence. Visual hints suggest fine connections between elements that populate and define the scene, working by similarity or by contrast. The corner is even more defined by the column which connects the ground to the ceiling, and draws a border with the audience, which relates to the painterly trope of the view from the back. I then place the puppet back on the table and knit the grey wool for seven rows, then I place it on the table. I gently take my time to stand up, put the chair back, and say thank you.